Conceptual Palettes as Sites of Creative Negotiation in Leah Asher’s TRAPPIST-1

McKay, Tristan

doi:10.5840/ajs202372489

The American Journal of Semiotics

ONLINE FIRST

published on July 27, 2023

Tristan McKay

https://doi.org/10.5840/ajs202372489

Conceptual Palettes as Sites of Creative Negotiation in Leah Asher’s TRAPPIST-1

In this paper, I consider the creation and performance of Leah Asher’s TRAPPIST-1 (2017), a solo piano work in graphic notation that I commissioned and premiered. Musical works that utilize open notations often have a complex relationship to the work-concept and, in turn, an elusive ontology. I consider the role of conceptual palettes as significant sites in the creative process where ontological boundaries are delineated. I analyze four sites in the creation of TRAPPIST-1—from project proposal to premiere performance—where conceptual palettes play a dynamic role in narrowing, restricting, and guiding the identity of the work. Using Jakobson’s notion of the poetic function and Harkness’s concept of qualic transitivity, I show that conceptual palettes facilitate performance as highly cu?rated acts of translation not just of open notations but also of intangible concepts.

<< Previous Article

>> Next Article

? "Those scars," the Doctor answered, "are from the moxa, which is used to some extent in medical practice in Europe and America. Don't you remember that when your uncle Charles had a disease of the spine the doctors applied a hot iron to his back, along each side of the backbone?" A JAPANESE LOOM. A JAPANESE LOOM. MODE OF HOLDING THE TOW-ROPES. MODE OF HOLDING THE TOW-ROPES. "We had no trouble after that; but we only allowed fifty men on deck at one time, and those under a strong guard. You can be sure we were in a hurry to finish the voyage, which we did without accident. I had had all I wanted of the coolie-trade, and never went on another voyage like that." A stream of living fire, a ripple of all the colours of the rainbow. Balmayne shut the cases as if jealous of the eyes of the night. A true movement of carriages is dependent upon the amount or wearing power of their bearing surface, how this surface is disposed in reference to the strain to be resisted, and the conditions under which the sliding surfaces move; that is, how kept in contact. The cutting strain which is to be mainly considered, falls usually at an angle of thirty to forty degrees downward toward the front, from the centre of the lathe. To resist such strain a flat top shear presents no surface at right angles to the strain; the bearings are all oblique, and not only this, but all horizontal strain falls on one side of the shear only; for this reason, flat top shears have to be made much heavier than would be required if the sum of their cross section could be employed to resist transverse strain. This difficulty can, however, be mainly obviated by numerous cross girts, which will be found in most lathe frames having flat tops. Wildly, as those on the bridge came into clear view, Sandy, Larry, Dick and Jeff gesticulated, pointing astern. Bells were jangled, the yacht was sharply brought up by reversed propellers and a tender was swiftly being put down from its davits, an excited sailor working to start its engine, even as it was lowered. “Come on, everybody—spread out—” cried Jeff. “We’ll get that-there girl——” “It’s simple enough,” the youngest member of the Sky Patrol broke in. “They pour some of the lemonade into the compartments in the ice-trays and freeze that. It is better than plain ice because it doesn’t weaken the lemonade at all.” "Then," said the Reverend Taylor, laying down the paper, "you must be scared for yourself." ("I think 'mug' is the word they use for face in good society," mused Shorty, with the end of the penholder in his mouth. "At least I heard the Kurnel use it one day. She can't expect no man to be much gladder of anything than the comin' o' the Paymaster, and that orter please her.") Died and buried on Sunday; There was a silence. "He'll soon be able to do a bit of work wud us, Beatup," said Reuben apocalyptically.—"I'll have him on when he's ten or thereabouts, and at fifteen he'll be doing full man's work. I shouldn't wonder as how I'd never want another hand but you—we could manage the pl?ace, I reckon, till the lad's old enough, and then there'll be others...." HoME 重庆酱香坊京酱 ENTER NUMBET 0016lgtozt.com.cn
www.hyboao.com.cn
www.lcgydyj.com.cn
www.lnwdzs.com.cn
thirdxcx.com.cn
op8news.com.cn
qzxintai.com.cn
www.qiyilrs.com.cn
www.wheatrip.com.cn
reyuu.com.cn