Fennell's Promising Young Woman and Furious Women in Film

York, Caitlin A.

doi:10.5840/filmphil2021102711

Film and Philosophy

ONLINE FIRST

published on October 31, 2021

C. A. York

https://doi.org/10.5840/filmphil2021102711

Fennell's Promising Young Woman and Furious Women in Film

Emerald Fennell’s debut feature Promising Young Woman (2020) incisively examines sexual assault, misogyny, and the culture of complicity that continues to perpetuate `violence against women. This article will estab?lish Fennell’s aptitude as a filmmaker in condemning the pervasive forces of patriarchal social order in harmony with Kate Manne’s account of structural misogyny analyzed in Down Girl (2017) and Entitled (2020). Fennell’s subver?sion of genre standards demonstrates how the actions of individuals, sepa?rate from the perpetrator, lead to additional acts of harm, and addresses the ever-present reality of male violence which the feminist-hero is, ultimately, unable to surmount. Despite arguments that Promising Young Woman has not met the expectations for change the me-too movement inspired, Fennell chal?lenges conventions to expose misogyny and male violence asking that future feminist filmgoers consider a new way forward.

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