Racialized Disgust and the Depiction of Native Americans in the Ranown Cycle Westerns

Flory, Dan

doi:10.5840/filmphil20238723

Film and Philosophy

Volume 28, 2024

Dan Flory

Pages 39-69

https://doi.org/10.5840/filmphil20238723

Racialized Disgust and the Depiction of Native Americans in the Ranown Cycle Westerns

This article explores mainstream audience reactions concerning race and how they intersect with late 1950s Westerns known as the Ranown cycle. Synthesizing ideas from critical philosophy of race, philosophy of film, cognitive film theory, and philosophy of emotion, I analyze how these films elicit racialized reactions of sociomoral disgust toward Native American characters. Because such responses are not ordinarily processed through higher-level forms of cognition, I argue that these embodied, affective, implicit reactions are key to understanding how films like those in the Ranown cycle convey feelings, perspectives, and ideas concerning race, with important implications for ideology as well as philosophizing about film.

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